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AI Filmmaking

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This is a rather complex topic because uniqueness doesn’t necessarily guarantee traffic or public recognition. Uniqueness is more like a faith recharge. It means you genuinely believe that your work must have uniqueness, that your personality must be expressed, regardless of the final outcome. If you believe this, then you’ve achieved the first step.

There’s a quote I really love: “I was born too late and missed the Age of Exploration. I was born too early and won’t live to see humanity explore the brilliant stars.” Is this AI wave a great voyage of discovery, or a renaissance? It has given my creativity a chance for complete liberation. For a while, I was troubled by my slower progress compared to others, so I made an effort to form a team; however, in recent months, I’ve come to terms with it.

This is my research direction, and I specialize in realistic long-form narrative. Although I don’t currently have a complete series of work, I’ve spent 1,882 hours on AI filmmaking, with most of that time dedicated to researching the possibilities of AI in long-form narrative. There are already dozens of minutes of AI series content, so long-form narrative is not impossible—it’s just a matter of how well it’s executed.

Without realizing it, a full year has passed since I started creating AI videos. Although most of the time was spent mastering the technology rather than producing a sufficient number of works, and I didn’t successfully form a team, starting from this new year, I will focus wholeheartedly on creation and continuously output works.

I watched the new “Superman” for the second time yesterday, because I’m a die-hard DC fan, and also because even though it’s a bit mindless, it has vitality that overflows from the screen. Today, we continue our discussion from yesterday and explore how to make AI-driven film and television creation more vibrant.